The Kiowa tribe
of Oklahoma honors its warriors with a ceremony more than 300 years
old
ANADARKO, OK. Michael Sankadota's face was clean-shaven
and round. He wore black shorts, tennis shoes and a gray University
of Oklahoma t-shirt. Around him were men wearing red capes, bone
breastplates, long breechcloths, porcupine-hair headdresses and
eagle feathers. Their legs were encased in black cloth.
An autumn sky hung over the outdoor arena, carved out from a
copse of oaks and hickories, and lined with concrete bleachers painted
orange. A light wind ruffled dry leaves and stirred the men's capes
as they lined up to enter the arena to dance. Family members, veterans
and spectators stood up from the bleachers and on all style of outdoor
folding chair as a silence settled over the arena and through the
woods.
Then an old song rose from the throats of the Kiowa Black Leggings
Warrior Society members. Lances in hand, they danced their way into
the arena, one step at a time in a column, eagle feathers waving
in the wind.
Sankadota joined them, but as a new member he had to wait one
more day before he could change from his civilian clothes into the
dress of the Black Leggings the uniform of the Black Leggings
Warrior Society Ceremonial, held every October in this town just
50 miles southwest of Oklahoma City.
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Sankadota (center) and other members of
the Black Leggings Society, all veterans of different wars,
wait to enter the arena to dance during the ceremony remembering
Kiowa veterans.
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When Sankadota, an Iraq War veteran, was asked
to join the Black Leggings, he said yes immediately.
"My kids will look at me different, like, daddy's this now,
he's a part of something bigger" he says, "and it feels a lot bigger
than just what I am as a veteran."
For as long as anyone can remember, veterans have held one of
the most revered places in the culture of the Kiowa Tribe of Oklahoma.
The ceremonial is the crowning manifestation of the tribe's attitude
toward its warriors.
"In American society, when the war is over, you've got your
ticker-tape parade, you've got your speeches, and you've got Memorial
Day and Veterans Day, and that's pretty much it," says Dr. William
Meadows, a professor at Missouri State University and author of
"Kiowa Military Societies." "Here, it's never-ending. Once you're
a veteran, that respect is always given to you.
"Participants must be Kiowa tribal members, and they are heirs
to a legacy stretching back centuries to a time known only through
oral history. A time before English. Before the state of Oklahoma.
A time when the society was known only by its Kiowa name: Ton-Kon-Gah.
On the surface, the Black Leggings celebrate warrior culture,
but at its core, the society offers a lesson to the next generation
of tribal members on what it is to be a Kiowa in a changing world.
"Every culture has values and beliefs and ideology, but there's
always a handful of things that are more important in that particular
culture than the others," says Williams. "One of them, in this culture,
is the importance of the veteran."
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Sankadota looks up at the frame of the teepee
he helped construct for camp before the start of the Kiowa
Black Leggings Society ceremony near Anadarko, Okla.
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"This ceremonial is just like a regiment, a company
of men," says Warren Queton, a Black Leggings member. "Nobody goes
to war on their own; you have other men that you fight alongside
with.
"The Black Leggings Society is the premier veterans organization
of the Kiowa Tribe of Oklahoma and one of the most conservative
tribal military societies in existence in terms of retention of
traditional practices. While the type of service has changed
from fighting cavalry or other tribes to combat in the South Pacific
or the Middle East members are still soldiers and dual citizens
protecting their land and people as well as the United States.
The Black Leggings have a saying, Queton says: "I need you and
you need me."
"There's a lot of truth to that, because even in this ceremony,
not one person does it on their own," he says. "You have to have
support, just like going into a battle.
"Ton-Kon-Gah roughly translates to "black legs group," and there
are several stories about how they got their name.
"One is that we went on raids and horse-stealing expeditions
on foot," says Blas Preciado, Black Leggings vice-commander. "When
we came back through the prairies, our legs were black with dirt
and sweat."
Another story is that the men got the name after an enemy tribe
lit the prairie on fire in an attempt to smoke out members.
"They made it through the fire and came back and they were just
black with ashes, and that's how they got their name," says Dorothy
Whitehorse-Delaune, a member of the Kiowa War Mothers, an auxiliary
support group for the Black Leggings. "Otherwise they would have
been the Dog Soldiers or something.
"In 1890, the Black Leggings stopped dancing. The reasons for
this are unclear. However, in 1912, they began again with the help
of a handful of tribal members, including Michael Sankadota's grandfather.
But with the Indian Wars long over, and only a dozen or so Kiowa
tribal members who participated in World War I, membership was small.
"They held the ceremony in the woods," says Preciado. "That
was in the 19-teens when there was an effort by the government to
stop dancing of all kinds, including Black Leggings.
"Then, the society went dark again until 1958.
That's when some of the veterans who had returned from World
War II decided to revive what had been a great battle organization.
"It came back greater than it was when it died out," says Whitehorse-Delaune.
Around 300 Kiowas served in World War II, and Whitehorse-Delaune
was one of the revived organization's founding charter members.
"Oh goodness, that arena used to be full of hollering," she
recalls. "When I think about it now, we're just the dregs of all
that, but still, we're going to keep on. It just fills you with
pride."
Sankadota counts his daily dose of pills
taken to alleviate the symptoms of his traumatic brain injuries.
Considered 100 percent disabled by Veterans Affairs, he is
cared for by his wife, Nikki.
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Michael Sankadota has not gone a day without a
headache for nearly a decade. Sometimes he forgets where he's going
when he's out running errands. If he's away from home for more than
a day, he carries a small suitcase full of medication in order to
deal with migraines, depression, blood pressure and other ailments.
Diagnosed with a traumatic brain injury (TBI) in 2010, Sankadota
is just a step away from switching his pills and occasional electric
shock therapy for injections into the skull to deal with the pain.
His convoy in Iraq was a frequent target of roadside bombs or
improvised explosive devices, known as IEDs. His truck alone was
hit three times in his first tour.
"I had three concussions go untreated," he recalls.
Sankadota also suffers from post-traumatic stress disorder,
which makes him antsy, tense and unable to be still for long periods
of time. Crowds make him nervous, movies are hard to sit through,
and it can be set off by any number of things.
"Loud booms, cracks, gunshots, flashes, like from a cigarette
lighter," he says. "When I tense up, all the blood rushes to my
head and then my head starts hurting, and then all of a sudden my
migraine starts."
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Sankadota suffers an intense migraine on
the night before his initiation into the Black Leggings Society.
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Sankadota is fully disabled and cannot work anymore.
When he undertakes physical activities, his head begins to hurt,
and usually it ends with him in bed trying to manage the pain.
"Sometimes it feels like I'm defeated, that I'm not a man anymore
because I can't provide for my family," he says. "The way people
look at me, the whole stigma of being a disabled veteran and that
you don't want to work. I tried to work.
"Sankadota joined the Army in high school, following his sister's
example, and served as a cavalry scout in Iraq. He planned to make
a career of the military. Instead, he got out in 2008, well short
of his goal, due to his injuries. Growing up, he had never heard
of the Black Leggings, spoke almost no Kiowa, and felt disconnected
from his culture. That feeling continued through the military and
into his adult life. He's been back in Oklahoma for only a few years
with his family, and is only now discovering his culture and family
lineage the good and the bad.
"It's important to me to [join Black Leggings] for my kids so
they learn what their culture is and who their family is and to
bring luster back to our name," says Sankadota. "It's almost like
I have to do it because I want my family to be looked at in a whole
different way.
"Everything the Black Leggings Warrior Society does emulates
something from ancient times. Society dress has remained remarkably
unchanged since the 1870s, when the group's customs first began
to be documented. For example, the red cape pays tribute to a member
who took a similar cape off a Mexican officer during a raid. Since
then, members have worn them to commemorate wartime exploits.
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Members of the Black Leggings
Society, all combat veterans of different wars,
enter the arena to dance on the second day of
the ceremony remembering the Kiowa tribe's veterans.
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Blas Preciado, a Vietnam veteran
now serving as the vice-commander of the Black
Leggings Society, applies face paint before the
ceremony.
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Sankadota is helped into his
regalia by relatives before the ceremony.
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His regalia was put together
with the help of relatives who still use traditional
means to make belts, capes and shoes.
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The ceremony is a tradition
almost as old as the Kiowa tribe itself.
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Well wishers, family and friends
offer gifts and money during the ceremony.
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Singers drum to the beat of
a tribal song during the ceremony.
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Sankadota and others fold flags
at the end of the first day of ceremonies.
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Sakadota's wife Nikki, center,
watches as Michael lowers the flag for the end
of the first day of the Black Leggings ceremony.
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Staffs with eagle feathers tied
on blow in the wind during the start of the second
day of the ceremony.
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Orville Paukei sits after dancing
during the second day of the ceremony. Paukei,
78, is a Vietnam veteran, serving as Specialist
4th Class of the 5th Special Forces (US Army).
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During one of the final dances,
members of the Black Leggings Society fire blank
rounds from firearms.
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Dylan Parker, 24, stands in
the arena where the Black Leggings ceremony has
just concluded a weekend of remembering the Kiowa
veterans. Parker is not a combat veteran, but
took over his brother's position as a member and
became what is known as an 'ade tahlee', serving
the veterans in the group.
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Above: Details of the Black Leggings Society
dress, which has remained unchanged since the 1870s, when
the group's customs were first documented. The red cape pays
tribute to a member who took a similar cape off a Mexican
officer during a raid.
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Many members also wear a ghom-awdle-haun-gha, or
hair plate, that hangs from the back of members' heads long
leather sashes that hover just above the ground with round, metal
disks attached to simulate coins.
"The Kiowa raided a wagon train that had money, and when they
got the coins, they didn't know what it was," says Preciado. "Kiowa
men would put it in their hair and in braids and in horse braids
for decoration."
The society's battle teepee shows how the organization has
grown and evolved. The names of all Kiowas killed in combat since
World War II are listed, and military unit patches of all its members
are painted on. Half the teepee is black- and yellow-striped, the
other half covered in combat pictographs.
"One of the scenes is a ledger drawing, and it depicts a Kiowa
warrior in a battle with Kit Carson. This particular battle scene
depicts a Kiowa fighting a Ute chief with a war bonnet on," says
Preciado, pointing out each image. "Then we have scenes from World
War II; we have a battleship; we also have a scene of Marines landing
on one of the Pacific Islands."
D-Day is also pictured, as well as Huey helicopters hovering
over paddy fields in Vietnam, and finally, Kiowa soldiers standing
over the body of a dead Iraqi with a grenade launcher.
Dance is the primary feature of the Black Leggings' yearly ceremonial,
with scalp dances, shuffle dances and the turn-around dance, which
is performed only once a year by Black Leggings members, at the
end of the ceremonial on the final day.
"This is our dance, this is our language, this is our spirit,
and this is an expression of that spirit," says Warren Queton. "That's
what makes us different from other organizations or white America:
They honor their veterans; we have a ceremony, and that spirit comes
out through that ceremony."
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Members of the Kiowa Black Leggings Society
have a discussion about what it means to be a veteran before
the start of the ceremony remembering those who fought. The
battle teepee lists the names of all Kiowas killed in combat
since World War II and depicts battle scenes Kiowas participated
in.
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On the last day of the ceremonial, the sun had
set and the sky was brought low until it seemed to be supported
only by the tops of trees and tall poles crowned by glowing spotlights.
In the arena, there was no one else just Michael Sankadota
and the rest of the men.
The drum began and a host of men's and women's voices sang up
toward the ear of the settling night as the turn-around dance began.
Known as tsat-koi-gha in Kiowa, the dance serves as a reenactment
of a battle that occurred in Texas in the early 1800s as Black Leggings
warriors outnumbered and seemingly defeated by another tribe
were able to carry out a series of counterattacks and escape
without a casualty. The "turn around" refers to the counterattacks
made during the battle.
The tempo began to increase, as did the Black Leggings' dance
pace. A man held a revolver in the air and fired a round off. Then
another raised a rifle above his head and pulled the trigger. Michael
Sankadota's head was lowered, his knees were bent, and his feet
kept time with the increasing tempo.
Another man fired a gun in the air and the song got faster.
War whoops were bellowed and the spotlights burned brighter and
brighter. The lines of men circling the arena changed direction;
they fired their guns in the air, then changed direction again.
The tempo grew faster and faster and they danced harder and harder,
just like their fathers had done, and their grandfathers, and family
members whose names could no longer be remembered.
The turn-around dance ('tsat-koi-gha')
A shot rang out. Porcupine-hair headdresses and red capes bounced
to the beat and the song grew even more intense. Then, one man stepped
forward, raised a lance above his head with one hand and held up
a 12-gauge shotgun with the other.
War whoops erupted across the arena, the drum stopped and those
watching made no noise.
Tradition dictates that the turn-around dance continue until
a member stops the drum and tells a war story. Army scout Joe Lazano's
story began with Desert Storm. His unit, The Big Red One, was one
of the first to go into Iraq.
"We did what we were trained to do: Go find the biggest dog
and piss it off," said Lazano. "We lost two-thirds of our platoon
right off the bat and it turned into a slugfest. My friends were
screaming over the radios: 'Two's been hit! Two's gone!' Those were
my friends, those were my brothers, the ones I had been growing
up with.
"Lazano paused for a moment; his voice quaked as he recalled
his sergeant, who also died.
"He did a lot for me. He not only taught me how to be a soldier,
but he also taught me how to be a man," said Lazano. "Even when
I come back here, I look around and these men are teaching me what
I need to know and to carry this on.
"War whoops erupted and singers pounded the drum. Then, a brief
silence again.
Michael Sankadota stood among the men, dressed in his red cape,
bone breastplate and porcupine-hair headdress, and his legs and
chest were black. His head hurt, but he had managed to push through
the entire weekend to become a full-fledged member, and when the
ceremonial was over, his son asked how to join.
"It feels good," said Sankadota. "Now I don't feel like an outsider
looking in. I'm actually a part of it."
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At the end of the last day of the Black
Leggings ceremony, Sankadota shares a laugh with his sister,
Sgt. 'Faye' Sankadota-Sander (in blue).
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