Canku Ota Logo
Canku Ota
Canku Ota Logo
(Many Paths)
An Online Newsletter Celebrating Native America
 
 
 
pictograph divider
 
 
Totem Pole Going Home
 
 
by Colorado Springs Fine Arts Center press release
 

FAC to return 51' foot tall pole to its original owners, a tribe in Alaska

COLORADO SPRINGS (Jan. 15, 2010) – In 1951, the Colorado Springs Fine Arts Center saved a totem pole from being turned into pulp at a Los Angeles lumber yard.

The FAC purchased the totem pole and for the next five decades, it was displayed in the FAC Courtyard. The totem pole, made of yellow cedar, was carved in ca. 1870 and stood 51-feet tall.

When the FAC underwent its renovation and expansion beginning in 2006, during construction in the courtyard the pole was put into storage. While in storage, FAC Curator Tariana Navas-Nieves had conversations with representatives of the Haida peoples of Kasaan, Alaska, to inquire about their wishes for the piece. The totem pole, named for the tribe's Chief Son-i-Hat, originally stood in front of the Chief's home at Old Kasaan.

In a significant stroke of good fortune, the tribe had recently begun a fund-raising campaign to restore the Chief's home at Old Kasaan, the only remaining traditional Haida longhouse in Alaska. That's when the FAC offered to return the piece to the tribe.

In a letter to the FAC, Richard Peterson, Village President, wrote, "The Organized Village of Kasaan, the federally recognized tribe for the indigenous Haida peoples of Kasaan, Alaska, extends a heart-felt "Haw'aa!" (HOW-uh, "Thank You!") to the Colorado Springs Fine Arts Center, the people of Colorado Springs, and all those involved with caring for the Chief Son-i-Hat totem pole."

Native American tribes often struggle with art institutions to get their works back.

"We commend and thank the Fine Arts Center for reaching out to us and actively seeking to return such an important piece of our culture and history," Peterson wrote.

"As you may know, totem poles in the Haida Culture represent clans, serve as grave markers, and relate important events, etcetera. Bringing this important treasure home will serve to uplift our people and also serve as a testament of our historical presence."

The Chief Son-I-Hat Whale House was listed in the National Register of Historic Places in 2002, and continues to offer a rich history that is important to Kasaan Haida people. Sharing information about the significance of Chief Son-I-Hat's house, and the need to restore it, is an essential part of Kasaan's efforts to document and preserve Kasaan Haida culture and history.

The next step in the process is for the Haida tribe to formally petition for repatriation pursuant to the terms of the Native American Graves Protection and Repatriation Act (NAGPRA).

"This is certainly one of my proudest achievements in my curatorial career," said Navas-Nieves. "We have made a significant connection with the Haida peoples of Kasaan, Alaska, and are honoring their history and heritage. I hope this inspires other institutions to respect the wishes of Native American tribes. The totem pole was enjoyed and loved by the Colorado Springs community for many years and now it is time for it to go back home. It is the right thing to do."

pictograph divider

Public Statement Regarding Chief Son-i-Hat Totem Pole:
The Organized Village of Kasaan, the federally recognized tribe for the indigenous Haida peoples of Kasaan, Alaska, extends a heart-felt "Haw'aa!" (HOW-uh, "Thank You!") to the Colorado Springs Fine Arts Center, the people of Colorado Springs, and all those involved with caring for the Chief Son-i-Hat totem pole. We are honored to have the opportunity to bring home a totem which once stood at Old Kasaan.

Hearing of the pole's existence surprised and excited our tribe. We were heartened to hear of the pole's being saved from a pulp mill at one point. We commend and thank the Fine Arts Center for reaching out to us and actively seeking to return such an important piece of our culture and history.

As you may know, totem poles in the Haida Culture represent clans, serve as grave markers, relate important events, etcetera. Bringing this important treasure home will serve to uplift our people and also serve as a testament of our historical presence. We will formally petition for repatriation pursuant to the terms of the Native American Graves Protection and Repatriation Act (NAGPRA).

Besides being one of the great chiefs of Old Kasaan, Son-i-Hat also had a home not far from present-day Kasaan. Earlier this year, along with the Kasaan Haida Heritage Foundation, we began fundraising efforts to restore this building, the only remaining traditional Haida longhouse in Alaska. We find the timing of your offer to return the Chief Son-i-Hat totem quite remarkable.

Haw'aa!
Richard Peterson
President, Organized Village of Kasaan

pictograph divider

Fine Arts Center
The Colorado Springs Fine Arts Center, established in 1936, is a privately funded, non-profit art museum, performing arts theatre and arts education center. Built on the foundation of the prestigious Broadmoor Art Academy, the FAC carries the legacy of Colorado's arts and cultural heritage. One of 16 charter members of the American Association of Museums, the FAC offers the best in the world of visual arts via its permanent collection and travelling exhibitions, performing arts through the FAC Theatre Company, and arts education with the Bemis School of Art. The FAC building is considered an architectural landmark in the Rocky Mountain region, designed by John Gaw Meem, and is listed on the National Register for Historical Places. In 2007, the FAC unveiled a $28.6 million renovation and expansion. For information, visit csfineartscenter.org.

pictograph divider
Home PageFront PageArchivesOur AwardsAbout Us
Kid's PageColoring BookCool LinksGuest BookEmail Us
 
pictograph divider
 
  Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. Section 107.  
 
Canku Ota is a copyright © 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010 of Vicki Barry and Paul Barry.
 
Canku Ota Logo   Canku Ota Logo
The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the
Copyright © 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010 of Paul C. Barry.
All Rights Reserved.

Site Meter
Thank You

Valid HTML 4.01!