|
Joane
Cardinal-Schubert, RCA
b.
Red Deer, Alberta, Canada
Education
Alberta
College of Art, Calgary : 1962 - 64; 1966 - 67, printmaking/painting major,
photography, sculpture
University of Calgary 1977 (BFA) major printmaking/painting
Management for Arts Administrators, Banff Centre, 1982
Professional
Experience
Professional Artist
Volunteer
|
2000
- 2003
|
President,
Calgary Aboriginal Arts Awareness Society |
|
1988
- 2000
|
Arts
Committee; Volunteer, Calgary Aboriginal Arts Awareness Society |
|
1988
- 1995
|
Triangle
Gallery Board |
Previous
Professional Experience
|
1979
- 1985
|
Assistant
Curator, Nickle Arts Museum, The University of Calgary, Calgary, Alberta |
|
1977
- 1979
|
Curatorial
Assistant, University of Calgary Art Gallery, Calgary, Alberta |
Solo
Exhibitions
|
2003
|
Masters
Gallery, Calgary Alberta |
|
2002
|
Spring
Thaw, BearClaw Gallery, Edmonton, Alberta |
|
2000
|
Billboard
of Dreams, Masters Gallery, Calgary ( solo) |
|
1999
- 2000
|
Two
Decades: Joane Cardinal-Schubert; Victoria, Surrey, Penticton |
|
1999
|
Mother
Earth Has Had a Hysterectomy, Surrey Art Gallery, site specific: Commissioned
Installation |
|
1999
|
A
Journey, 25 year retrospective, Solo Show , Masters Gallery ( September) |
|
1998
|
Joane
Cardinal Schubert: Two Decades; the Thunder Bay Art Gallery,
Thunder Bay , Ontario; The Yukon Art Gallery and Museum, Whitehorse,
Yukon, Art Gallery of Greater Victoria, Victoria; Surrey Art Gallery,
Surrey; South Okanagan Art Gallery, Kelowna, British Columbia |
|
1998
|
Two
Decades: Joane Cardinal-Schubert, installation of travelling retrospective
on portable walls, The Toronto International Pow Wow, Sky Dome, Toronto,
Ontario |
|
1998
|
Letters
to Emily, Women's Art Resource Centre Gallery, Toronto, Ontario |
|
1998
|
Flutterby/Chaos
Counterpane, The Bugera/Kmet Galleries, Edmonton, Albert |
|
1996
|
Dream
Beds (Solo), Derek Simpkins Gallery, Vancouver; Masters Gallery, Calgary;
|
|
1994
|
Joane
Cardinal-Schubert RCA, Imperial Oil Gallery, Museum of the Regiments,
Calgary, Alberta |
|
1994
|
Joane
Cardinal-Schubert, Solo Exhibition, The Forum, Steele, Germany |
|
1993
|
Solo
mini-retrospective Exhibition, FAB Art Gallery, The University of
Alberta, "Passage to Origins" |
|
1993
|
Workshop,
En'okiwin Centre, performance of "the Lesson" |
|
1993
|
Workshop,
Merrit, British Columbia lecture and performance of "The Lesson" |
|
1992
|
Looking
and Seeing, Derek Simpkins Tribal Arts, Vancouver |
|
1990
|
Preservation
of a Species: Cultural Currency, The Lesson. Articule Gallery, Montrèal,
Quèbec |
|
1990
|
Womens
Bookworks, London, Ontario. Street Project Installation |
|
1984
|
Homage
to Smallboy - Environmental Sculpture, Gleichen Art Park, Thunder
Bay, Ontario |
|
1983
|
Alberta
House, London, Eng. (Solo) |
|
1983
|
International
Art Exposition Solinga, Sweden |
|
1982
|
White
Village Fine Art, Edmonton, Alberta |
Residency's
|
2002
|
Gushul
Studio, arts residency, August, University of Lethbridge, Blairmore,
Alberta |
|
2001
|
Ten
Little Indians, arts residency, month of August, St. Norbert Art Centre,
Manitoba |
|
1996
|
Art
Associate, Banff Centre, Banff, Alberta |
|
1994
|
"Nomad',
Art Associate, The Banff Centre, Banff, Alberta |
|
1994
|
Residency,
Commissioned Mural, Steele, Germany |
|
1990
|
Womens
Bookworks, London, Ontario. Street Project Installation |
|
1989
|
Gushul
Studio, Blairmore, University of Lethbridge |
|
1988
|
Leighton
Colony, Banff, Alberta |
Group
Exhibitions
|
2002
|
Five
degrees, Art Gallery of Calgary, Calgary, Alberta
|
|
2002
|
Alberta
College of Art: " Album, ACAD 75", Calgary, Alberta
|
|
2001-
2002
|
Glenbow
Museum;"Nitsitapiisinni: Our Way of Life", ( Blackfoot People -
Then and Now)
|
|
2001
|
Alberta
College of Art Exhibition, Benefit: Artrageous
|
|
2000
|
Mother
Earth Has Had a Hysterectomy, David Garneau invitational, Uptown,
Gallery Walk
|
|
2001
|
Ten
Little Indians, St. Norbert Art Centre, Manitoba
|
|
2000
|
Mother
Earth Has Had a Hysterectomy, David Garneau invitational, Uptown,
Gallery Walk
|
|
2000
|
POW
WOW, Mackenzie Art Gallery, Saskatchewan, touring international
|
|
1999
|
Fusion,
Spirit Wrestler Gallery, Vancouver British Columbia
|
|
1999
|
Guerilla
Tactics, A Diary, Southern Alberta Art Gallery
|
|
1999
|
The
Edmonton Art Gallery, The Alberta Biennial, Inhere/Out There: An exhibition
of Contemporary Alberta Art, Installation: Kitchen Works |
|
1998
|
Glenbow
Museum, The Alberta Biennial, In Here/Out There: An exhibition of
Contemporary Alberta Art (invitational) |
|
1998
|
Captain
Vancouver, Charles Comfort: In Search of the Golden Mean, Confederation
Arts Centre, Charlottetown; The MacKenzie Gallery, Regina, Saskatchewan |
|
1996
|
Art
Associate, Banff Centre, Banff, Alberta |
|
1996
|
PEI
Charlottetown Summer Exhibition, Flag installation |
|
1996
|
PEI
Charlottetown Summer Exhibition, Flag installation |
|
1995
|
Central
Michigan University, Mt. Pleasant, installation: |
|
1995
|
CHALLENGING
THE STATUS QUO, Southern Alberta Art Gallery, Lethbridge, Alberta |
|
1994
|
Exhibitor,
With Emily Carr - Letters to Emily, Art Gallery of Greater Victoria |
|
1993
|
Exhibition,
Guatemala City, Guatemala |
|
1993
|
Exhibitor,
Palais Gallery, Czech Republic |
|
1992
|
INDIGENA,
Museum of Civilization (International Touring until 95) traveled with
exhibition installing my multimedia. installation |
|
1992
|
New
Territories: 350/500 Years After. Les Maisons de la Culture, Montrèal,
Quèbec |
|
1991
|
New
Alberta Art - Diversities, Glenbow Museum, Calgary, Alberta |
|
1988
|
Women
in the University of Lethbridge Collection, University of Lethbridge,
Lethbridge, Alberta. |
|
1988
|
In
the Shadow of the Sun, West Germany & The Canadian Museum of Civilization,
Hull, Quebec |
|
1991
|
Solidarity
Art After OKA, SAW Gallery, Ottawa Ontario |
|
1990
|
Seeing Red, Agnes Etherington Art Centre, Queens University, Kingston,
Ontario |
|
1991
|
Visions
of Power, Harbour Front, Toronto, Ontario |
|
1991
|
An
Other Voice, The Russell Gallery, Lindsay, Ontario |
|
1991
|
Strengthening
the Spirit, National Gallery of Canada, Ottawa, Ontario |
|
1991
|
Art
for All.; Edmonton Art Gallery, Edmonton, Alberta |
|
1989
|
Group
of Seven, Augusta Savage Memorial Gallery, The University of Massachusetts,
Amherst |
|
1988
|
In
the Shadow of the Sun, West Germany & The Canadian Museum of Civilization,
Hull |
|
1988
|
Women
in the University of Lethbridge Collection, University of Lethbridge,
Lethbridge. |
|
1986
|
STARDUSTERS,
National Touring Exhibition Thunder Bay, Ontario |
|
1987
|
Four
Canadian Artist, Brignell Gallery, Toronto, Ontario |
|
1984
|
Sharing
Visions, Korea and Japan |
|
1978
|
Cardinal,
McAvity, Wheeler, University of Calgary, Art Gallery, Calgary, Alberta |
|
1976
|
Images
of Light, Photography Exhibition, the Dandelion Gallery, Calgary,
Alberta |
|
1975
|
Royal
Horses Mouthpiece, Dandelion Gallery, Calgary, Alberta |
|
1975
|
BFA
Exhibition, The University of Calgary Art Gallery, Calgary, Alberta |
|
1974
|
Contemporary
Artists, Festival Calgary, Calgary, Alberta |
|
1969
|
SUB
Art Gallery, University of Alberta, Edmonton, Alberta |
|
1969
|
Fort
Malden Art Guild, Amherstburg, Ontario |
|
1967
|
Student
Exhibition, Alberta College of Art, Calgary, Alberta |
Guest
Speaker
|
2003
|
Plenary
Speaker, New Sun Chair Symposium, Carelton University, Ottawa,
Ontario
|
|
2002
|
CMA
panel Relevance and Elitism, CMA Conference, Calgary, Alberta
|
|
2002
|
Seattle
Arts Museum, Salmon Festival, Speaker, Seattle, Washington
|
|
2001
|
Plenary,
Atanarjuat: The Fast Runner. World Premier, Uptown Theatre, Calgary
|
|
2001
|
Native
Awareness Week, Guest Speaker, Native Students Centre, University
of Calgary, Calgary, Alberta
|
|
2000
|
Gatherings,
Art Gallery of Nova Scotia, Plenary, Speaker
|
|
2000
|
Aboriginal
Arts Cafe, Gallery of Nova Scotia, Halifax, Nova Scotia
|
|
1998
|
Keynote
Address, British Columbia Festival of the Arts,Victoria, British
Columbia
|
|
1995
|
HERLAND,
Glenbow : Address for the Film and Video Festival
|
|
1994
|
Panelist,
Mined Culture, Open Space, Victoria, British Columbia
|
|
1994
|
Plenary,
University of Calgary, Department of Communications, International
Management Acaedemics.
|
|
1994
|
Concordia
University, Montreal Quebec "This is my History" lecture, Fine Arts
|
|
1993
|
Lecture,
Kelowna, Art Gallery, Kelowna, British Columbia
|
|
1993
|
Lecture,
Camousin College, Victoria, British Columbia |
|
1993
|
Presenter,
Smithsonian, Washington, DC, "Master Native Artists of North America"
with Allen Hauser and Bob Hazous |
|
1993
|
Women
of Distinction, YMCA, Calgary, Alberta (Arts Nominee) |
|
1993
|
Planning
Committee, The Waking Dreamer Ends the Silence, International Conference
of Aboriginal Peoples of the World, Museum of civilization, Hull,
Quebec |
|
1993
|
Plenary
Speaker, panel. The Waking Dreamer Ends the Silence |
|
1994
|
Panelist,
Mined Culture, Open Space, Victoria, British Columbia |
|
1994
|
Plenary,
University of Calgary, Department of Communications, International
Management Acaedemics, Guest Speaker. |
|
1994
|
Concordia
University, Montreal Quebec "This is my History" lecture, Fine Arts |
|
1993
|
Workshop,
Merrit, British Columbia lecture and performance of "The Lesson"1993
-1994 Art |
|
1993
|
Lecture,
Kelowna Art Gallery, Kelowna, British Columbia |
|
1993
|
Lecture,
Camousin College, Victoria British Columbia |
|
1993
|
Presenter,
Smithsonian, Washington, DC, "Master Native Artists of North America"
Joane Cardinal-Schubert, Allen Hauser and Bob Hazous |
|
1993
|
Women
of Distinction, YMCA, Calgary, Alberta (Arts Nominee) |
|
1993
|
Planning
Committee, The Waking Dreamer Ends the Silence, International Conference
of Aboriginal Peoples of the World, Museum of civilization, Hull,
Quebec panelist/moderator |
|
1991
|
Lecture
Camousin Art College, Victoria, British Columbia |
|
1991
|
Mt.
Alison University, Owens Art Gallery, Sackville, New Brunswick |
|
1991
|
The
University of Calgary , National Conference of Educators, "INterventing
the Text" - Principle Speaker and panelist |
|
1990
|
Gettysburg
College, Gettysburg, Pennsylvania, lecture, panelist |
|
1990
|
MAWA,
Winnipeg, Man. Guest lecturer, Studio Visits, Workshops National Symposium
of Aboriginal Women, New College, University of Toronto Guest Speaker/panel
moderator |
|
1990
|
SAW
Gallery, Ottawa, Guest Speaker |
|
1990
|
Articule
Gallery, Montreal, Lecture |
|
1990
|
Western
Canadian Art Association Conference, Saskatoon, Saskatchewan, Guest
Speaker |
|
1990
|
CARFAC,
National Conference, Regina, Saskatchewan - Guest speaker |
|
1990
|
Three
Women in Canada, Lecture Series, Ontario College of Art, Toronto |
|
1990
|
Fanshaw
College, London, Ontario lecture |
|
1990
|
Queens
University, Agnes Etherington Art Centre, Kingston, Ontario, Guest
speaker, panelist |
|
1990
|
Womens'
Bookworks, London, Ontario: Street Project Installation |
|
1989
|
Art
Editor/Consultant, Oxford Companion to Native Studies, The University
of Victoria |
|
1989
|
Artist
in Residence, Art Department, the University of Western Ontario, London,
Ontario |
|
1989
|
Department
of Native Studies, The University of Alberta, Edmonton, Lecturer -
Guest Speaker |
|
1989
|
Ontario
Indian Arts and Craft Conference, The Ontario College of Art, Toronto
- Guest Speaker/panelist |
|
1989
|
WOMAD,
Winnipeg Manitoba, Workshops, Studio Visits and Guest Lecture, Plug
In Gallery |
|
1989
|
In
the Red, Meridian Nights Series, The San Francisco Art Institute,
Guest Artist delivered paper 'In the Red' a paper on appropriation |
|
1989
|
National
Native Women's Symposium, The University of Lethbridge, Lethbridge,
Alberta - Guest Speaker/panelist |
|
1989
|
Ad
Hoc Native Committee to discuss Appropriation, Vancouver Friendship
Centre, Vancouver, British Columbia contributions to paper on Native
Art in Canada to Canada Council for the Arts |
|
1989
|
Guest
Speaker, National Curatorial Symposium, Art Gallery of Greater Victoria,
Victoria, British Columbia |
|
1989
|
Guest
Speaker, Western Canadian Art Association Conference, Saskatoon, Saskatchewan |
|
1989
|
New
Alberta Art - Diversities, Glenbow Museum, Calgary, Alberta |
|
1988
|
Leighton
Artist Colonist, Artist in residence program, The Banff Centre, Banff,
Alberta |
|
1988
|
Lecturer,
Panelist speaking engagements, Peace River Adult Education Centre,
Peace River, Alberta |
|
1988
|
Society
of Education Through Art Conference, The Palliser Hotel, Calgary,
Alberta |
Other
Recent Related Activities
|
2000
|
Appointment
to the Canada Council Aboriginal Secretariat, National Visual Arts
Representative
|
|
2000
|
The
Trickster Shift, Publication, Allan Ryan, UBC Press
|
|
2000
- 2002
|
President,
Calgary Aboriginal Arts Awareness Society - Initiated the opening
of The First Nations Public Art Gallery, (fifth in Canada)
|
|
2001
|
Profile
on APTN
|
Collections
Gulf Canada, Petro Mark, Esso Resources, Shell, Alberta Art Foundation,
Alberta Energy, Canadian Embassy, NY City, Bank of America, Canadian Embassy,
Japan, Department of Indian and Northern Affairs, Canada Council Art Bank,
Thunder Bay Art Gallery, Canadian Museum of Civilization, National Gallery
of Canada, Queens Collection:Duke and Duchess of York, President of Mexico,
Olympia and York, Peace Hills Trust, Nova, Molson's, as well as many Provincial,
National and International Collections
Scholarships,
Bursaries and Awards
|
2002
|
Queens
Golden Jubilee Medal, for contributions to community and country.
|
|
2002
|
Alumni Award of Excellence, Alberta College of Art 75th Anniversary
Celebrations, Calgary |
|
1995
|
Nominee, Arts, Canadian Native Arts Foundation, Toronto
|
|
1994
|
Banff Centre Scholarship
|
|
1994
|
Alberta Arts Foundation Scholarship
|
|
1994
|
Canada Council Exploration Grant
|
|
1993
|
Awarded, The Commemorative Medal of Canada, for contribution to
the Arts in Canada
|
|
1993
|
Nominated for the Women of Distinction Award, Calgary, Alberta
|
|
1990
|
Canada Council Travel/Project Grant
|
|
1989
|
Alberta Culture Project Grant
|
|
1987
|
Commission for a Commemorative Painting, Province of Alberta, presentation
to the Duke and Duchess of York, at the official opening of the
world's Heritage Centre: Head Smashed In Buffalo Jump, Alberta
|
|
1986
|
Elected to the Royal Canadian Academy, RCA
|
|
1985
|
Molsons Publication and Purchase Award
|
|
1984
|
Western Canadian Art Association Publication Award of Excellence
|
|
1983
|
Canadian Museums Short Term Study Grant
|
|
1983
|
Banff Centre Scholarship, Arts Administrators Course
|
|
1982
|
Stockmans Friends Award, Stockmans Foundation
|
Independent
Free Lance Curator, Writer
|
2002
|
Reflection
Paper written for Heritage Canada, 'A Passionate Paper ' by Joane
Cardinal-Schubert
|
|
1999
|
PASSAGES:
Ways of Seeing, The Nickle Arts Museum, Alumni Exhibition, First
Nations, University of Calgary
|
|
1997
- 1999
|
MarkMakers,
touring exhibition, Norman MacKenzie Art Gallery, Regina
Time For Dialogue
|
|
1995
|
Triangle
Gallery, New Gallery: Seven Lifetimes: Yesterday , Today, and Tomorrow;
Beyond Barriers; Emerging Native Artists; The Children's Art Contest;
The Native Film and Video Festival; Through Elder's Eyes Glenbow
Museum.
|
|
1993
|
Time
For Dialogue, Triangle Gallery, Calgary, Alberta
|
|
1992
|
Share
the Heart Song of Our Families, Triangle Gallery, Calgary, Alberta
|
|
1991
|
Our
Worlds Are One, Triangle Gallery, Calgary (Curator)
|
|
1988
|
Art
is Our Game, Alberta Society of Artists, Gulf Canada
|
Video
|
1993
-1994
|
Art
Director, Writer, Assistant Director,Sound, Animator PSA Project
(Public Service Announcements) Self-Government: project of the Aboriginal
Film and Video Arts Alliance, The Banff Centre, Banff, Alberta.
|
|
1993
-1994
|
Exhibited/screened:
Walk With the Ancients MOMA, NY
|
|
1993
-1994
|
Guess
Who's Back a video produced by the Enowkin Centre. Director, Art
Director, Audio Design, Set Design, costume design, Banff Centre,
Banff, Alberta
|
Theatre
|
2003
|
Reader,
Vagina Monologues, An Aboriginal Presentation in Honour of International
V Day, Boris Robakaine Theatre, U of C. |
|
2001
|
Pumphouse
Victor Mitchell Theatre, Producer; Set Design; F'N Haute Cafè
Celebration of Aboriginal Artists, video, film readings, performance |
|
2001
|
Pumphouse,
Victor Mitchell Theatre, Producer; Set Design, Week long production
Variety Theatre |
|
2000
|
Pumphouse,
Victor Mitchell Theatre; Assistant Director, Set Design: Laughing
4 Those Who Can't, a play by Michelle Thrush |
|
1999
|
One
Yellow Rabbit, High Performance Rodeo; Assistant Director: Assimilating
Richard, a music/dance/drama by Troy Emery Twigg |
|
1998
|
Spider
Tribe Theatre, Producer, Director, set design, costume; Juliet/Juliet
a play by Alice Lee, Performing Arts Centre, Calgary, Alberta |
|
1997
|
Spider
Tribe Theatre, Producer, Director, set design, costume; Juliet/Juliet,
a play by Alice Lee, Engineered Air Theatre, Performing Arts Centre,
Calgary, Alberta |
|
1996
|
Calgary
Aboriginal Awareness Society; production: Assistant Director: A Land
Called Morning |
Selected
Bibliography
|
Ace,
Barry, and July Papatsie. Transitions: Contemporary Canadian Indian
and Inuit Art. Ottawa, Ontario: Department of Foreign Affairs and
International Trade; Indian and Northern Affairs Canada, 1997.
|
| |
|
"Art
autochtone ‡ la Plaza Alexis-Nihon." Journal de Montrèal,
12 dècembre 1992, p. WE-2.
|
| |
|
"Artist
Fights Stereotypes." Windspeaker 7, no. 8 (28 April 1989): 13.
|
| |
|
"Artist
Shares her Vision." Windspeaker 7, no. 18 (7 July 1989): 13.
|
| |
|
"Artist's
work hits us like a smack across the face: Joane Cardinal-Schubert
writes the sad history of Native peoples in simple, printed letters."
The (Montrèal) Gazette, 12 May 1990, p. K5.
|
| |
|
Baele,
Nancy. "Five artists join past to present." The Ottawa Citizen,
19 April 1990, p. El.
|
| |
|
Baele,
Nancy. "Native artist puts writing up on the wall." The Ottawa Citizen,
26 April 1990, p. E1.
|
| |
|
Beauchamp,
Elizabeth. "Native art in spotlight: Festival perks up slow summer
visual scene." The Edmonton Journal, 3 August 1990, p. C12.
|
| |
|
Canadian
Museum of Civilization, ed. In the Shadow of the Sun: Perspectives
on Contemporary Native Art. Hull, Quèbec: The Museum, 1993.
|
| |
|
Cardinal-Schubert,
Joane. "In the red." In Borrowed Power: Essays on Cultural Appropriation,
eds. Bruce Ziff and Pratima V. Rao, 122-133. New Brunswick, New
Jersey: Rutgers University Press, 1997.
|
| |
|
Cardinal-Schubert,
Joane. Joane Cardinal-Schubert: This is my History: An Exhibition
of Works on Paper and Canvas, 7 June-7 July 1985. Thunder Bay, Ontario:
Thunder Bay National Exhibition Centre and Centre for Indian Art,
1985.
|
| |
|
Cardinal-Schubert,
Joane. Time for Dialogue: Contemporary Artists. Calgary, Alberta:
Aboriginal Awareness Society, 1992.
|
| |
|
"Cardinal-Schubert
retrospective spans 20 years." Windspeaker 11, no. 20 (20 December
1993 - January): 13.
|
| |
|
Cronin,
Ray. "Captain Vancouver by Charles Comfort: Four Native perspectives."
ARTSatlantic 15, no. 3 (Fall/Winter 1997):
|
| |
|
"Curator
(Joane Cardinal-Schubert) hopes to change racism." Calgary Herald,
5 May 1989, p. C1.
|
| |
|
Danzker,
Jo-anne Birnie. "The revolver: cultural convergence, or, should
artists appropriate Native imagery?" Canadian Art 7, no. 3 (Fall
1990): 23-24.
|
| |
|
Dibbelt,
Dan. "Calgary vandals attack environmental art and strengthen its
statement (Abandoned Camp Keeper of the Culture)." Windspeaker 5
no. 47 (29 January 1988): 3.
|
| |
|
"Dream
beds." Vancouver Sun, 30 September 1995, p. D5.
|
| |
|
Enright,
Robert. "The house that Joane built: The art of Joane Cardinal-Schubert."
Border Crossings 11, no. 4 (1992): 47-49.
|
| |
|
Enright,
Robert. "The sky is the limit: Conversations with First Nations
artists." Border Crossings 11, no. 4 (1992): 46-57.
|
| |
|
Garneau,
David. "Eye streaming." Border Crossings 17, no. 1 (February 1998):
49-50. [Review: Muttart Public Art Gallery]
|
| |
|
Gaudet,
Elaine. "Des artistes autochtones contemporains." Le (Ottawa-Hull)
Droit, 12 Novembre 1991, 34.
|
| |
|
Gilmor,
Alison. "The practice of conflicting art." Border Crossings 11,
no. 4 (December 1992): 73f.
|
| |
|
Joane
Cardinal-Schubert: Two Decades. Calgary, Alberta: Muttart Public
Art Gallery, 1997.
|
| |
|
Kanbara,
Bryce and Alfred Young Man. Visions of Power: Contemporary Art by
First Nations, Inuit and Japanese Canadians. Toronto, Ontario: Earth
Spirit Festival, 1991.
|
| |
|
Lunn,
Dr. John, et al. Canada's First People: A Celebration of Contemporary
Native Visual Arts. Fort McMurray, Alberta: Syncrude Canada; Alberta
Part Art Publications Society, 1992.
|
| |
|
MacKay,
Marilyn. "Changers: A spiritual renaissance." ARTSatlantic 11, no.
2 (Winter 1992): 34-36
|
| |
|
Mainprize,
Garry. Stardusters: New Works by Jane Ash Poitras, Pierre Sioui,
Joane Cardinal-Schubert, Edward Poitras. Organized by the Thunder
Bay Art Gallery; Translation, Sylvain Topping. Stardusters: oeuvres
recentes de Jane Ash Poitras, Pierre Sioui, Joane Cardinal-Schubert,
Edward Poitras. Organisèe par la Thunder Bay Art Gallery
. Thunder Bay, Ontario: The Gallery, 1986. [Catalogue of a travelling
exhibition: 8 November 1986 - 22 December 1987]
|
| |
|
Marcus,
Angela. "Cross cultural views." The (Toronto) Art Post Review 4,
no. 3 (February / March 1987): 32-34.
|
| |
|
Mays,
John Bentley. "Native artists seize the moment to display anger
against history." The Toronto Globe and Mail, 16 May 1992, p. C4.
|
| |
|
McMaster,
Gerald, and Lee-Ann Martin, eds. INDIGENA: Contemporary Native Perspectives.
Vancouver, British Columbia: Douglas & McIntyre, 1992 / INDIGENA:
Perspectives autochtones contemporaines. Hull, Quèbec: Musèe
Canadien des Civilisations, 1992.
|
| |
|
"Native
art is in demand." Calgary Herald, 19 April 1992, p. C1, C3.
|
| |
|
Pakasaar,
Helga, Deborah Doxtater, Jean Fisher, and Rick Hill. Revisions.
Banff, Alberta: Walter Phillips Gallery, Banff Centre, 1992.
|
| |
|
"Print
fosters stereotype of Natives, artist says." Globe & Mail Metro
Edition, 7 July 1989, p. C10.
|
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