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Canku Ota |
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(Many Paths) |
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An Online Newsletter Celebrating Native America |
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March 22, 2003 - Issue 83 |
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Landmark Northwest Coast Exhibit Open at the Burke |
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Seattle - On October 3, 2002, the landmark exhibition Out of the Silence: The Enduring Power of Totem Poles opened at the Burke Museum of Natural History and Culture. Based on the extraordinary photographic collection of Adelaide de Menil, Out of the Silence pairs de Menil's haunting images of Northwest Coast Native village sites with rarely seen sculptural treasures from the renowned Burke collection. Accentuated with historical and contemporary photographs, film and audio sequences, and an engaging narrative, Out of the Silence explores the invincible power and resilience of Northwest Coast monumental carving. A wide range of public programs, including lecture and film series, evening feasts, performances, readings, artist's residencies, and family activities will be offered in conjunction with the exhibit. A specially developed exhibit web site will become a permanent component of burkemuseum.org, making the de Menil photographic collection, as well as vibrant images of contemporary Northwest Coast sculpture accessible to students and aficionados worldwide. History The de Menil images, combined with Reid's poetic text, in Out of the Silence documented a monumental sculptural tradition thought to be on the brink of extinction. Indeed, Native culture on the coast had appeared silent for decades. Though poles were still carved privately, and ceremonies carried out in secret, no new totem poles were raised, and few people remembered or practiced the traditions that gave the poles their meaning. "After the government made potlatching illegal in Canada in the late 19th century, totem poles were no longer raised. Many were sold to museums and collectors, but many were left to decay naturally in their original sites, in the traditional way that these cultures always allowed grave monuments and old poles to decay," said Dr. Robin K. Wright, Burke Museum Curator of Native American Art. "At nearly a hundred villages and cemeteries on the Northwest Coast," added Dr. George MacDonald, Burke Museum Director, "some of the greatest sculptures in the world were on the verge of disappearing. It is with the recognition of the scale of this loss that the value of De Menil's archive is fully realized. The importance of the collection lies in its outstanding record of the last vestiges of a monumental sculptural tradition that had, for the most part, died out." An
Enduring Tradition Today, the silence that De Menil and Reid encountered has clearly been shattered- Native arts are flourishing; poles are being raised all along the Northwest Coast; and new generations of artists have emerged. De Menil's photographs have become valuable documents of lost poles used as models by contemporary carvers, and are in some cases the last surviving examples of the unique carving style of their ancestors. Past
Meets Present Exhibit
Info Admission for Out of the Silence: The Enduring Power of Totem Poles is $8.00 general, $6.50 senior, $5 students and youth. Admission is FREE to children 5 and under, Burke members, UW students, faculty, and staff. The Burke offers complimentary admission to the public on the first Thursday of each month. Burke hours are 10 am-5 pm daily, and until 8 pm on Thursdays. The Burke Museum Store and Burke Café are also open during these hours. Supporters
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Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107. | ||
Canku Ota is a copyright © 2000, 2001, 2002, 2003 of Vicki Lockard and Paul Barry. |
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The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the |
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Copyright © 1999, 2000, 2001, 2002, 2003 of Paul C. Barry. |
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