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Canku Ota |
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(Many Paths) |
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An Online Newsletter Celebrating Native America |
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February 9, 2002 - Issue 54 |
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Native Voices Are Heard At the Autry Museum of Western Heritage |
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by Suzanne Westerly Canku Ota
Correspondent
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credits:Photos by
Suzanne Westerly
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Los Angeles, California - If your burning desire is to become an actor, screenwriter, director, or producer, you will probably find yourself on the road to Los Angeles, generally referred to as LA. Some people feel an irresistible magic and excitement in LA, for as everyone knows, it is the entertainment capital of the world. It is said that Hollywood is a state-of-mind. A place where your dreams can become real-life adventures, mixed with sunshine, sandy beaches, palm trees, and possibilities. But the road isnt always smooth, and after awhile, you may come to realize that your dreams of becoming an actor, writer, producer or director are filled with barriers - more for some than for others, it appears. Once Upon A
Time Today, although LA County has the largest urban concentration of intertribal American Indians in the U.S., only 0.2% of those on the [entertainment] working force are Native Americans. That tells you that something is going wrong, said Marjorie Tanin (or Kasaweh), a dynamic Tewa, Hopi, and Kiowa woman who grew up on the Pueblo of Santa Clara in Northern New Mexico. Marjorie is an actress, a technical consultant and casting director determined to find jobs for Native actors. Native Voices
and The Autry Museum of Western Heritage Native Voices was founded by partners Randy Reinholz, Choctaw, and Jean Bruce Scott, in 1993 at the University of Illinois in Normal. "It began on a very small scale with no budget, very grassroots," said Jean, Executive Director and Cofounder of Native Voices and a prolific actress. Randy, who has worked in theatre, film, and television as an actor, director, producer and script developer over the last twenty years was working in a play in New York, and couldnt be at the meeting. Native Voices Theatre Company, led by Randy and Jean began producing plays and workshop festivals, eventually finding themselves in California. In 2000, a collaboration between Native Voices Theatre Company and the Autry Museum of Western Heritage was formed, and Native Voices at the Autry was born. Today Native Voices at the Autry is a three-year theatre initiative enabling Native American writers and theatre artists increased opportunities to refine their craft and gain access to producers, casting directors, and the general public by putting on free performances. First Americans
In the Arts Award Presentations Scott Kratz, Assistant Director of Education at the Autry Museum is enthusiastic about Native Voices and expressed the happiness of all of the people at the Autry, from the Director on down as to how honored and thrilled they were to be receiving the Humanitarian Award at this years FAITAs. "What has been crucial to the strength and success of this program is the Board of Advisors, who have been providing leadership, advise, and insight in how to cultivate audiences, work with playwrights, and how to make sure that this program is successful in the long-term," said Scott. Marjorie also expressed the happiness and satisfaction she felt from working with Native Voices. Before being asked to sit on the board of Native Voices two years ago, Marjorie had worked with the Screen Actors Guild for six years as their vice-chair on the Native American subcommittee, (developed through an affirmative action program). Disheartened, she came to realize that Native Americans "progression [in Hollywood] was practically stagnant." Today, she is more optimistic, I think that Native Voices Theatre Productions will certainly enable our actors to further their careers. Currently, Marjorie is playing the lead role in the play, "We Are Still Here," based on the life of a wonderfully inspirational leader and elder, Katherine Siva Saubel of the Cahuilla Indians of Southern California. Sitting next to Marjorie was another outstanding,
energetic, and hardworking woman, Paula Starr, (Cheyenne), who is the
Executive Director of the Southern California Indian Center (SCIC),
and a newcomer to the Native Voices Board. Paula brimmed with enthusiasm
as she talked of her plans to bring more Native youth into the program.
"This dynamic group is exactly what the community needs because
if we donít write our own history someone else will write it
for us. Native Voices gives us an excellent opportunity to get not only
our young people involved, but all ages involved. So, this is a perfect
vehicle for it to just fly. I'm excited, she said with a smile." Native Voices plans to work closely with the SCIC on a youth educational outreach program that will include a series of workshops about play development and character development with the hope of encouraging young Native playwrights to submit their written pieces. The top three pieces that are chosen, will then be produced by Native Voices. The Autry has also opened their doors to Native American Film and Television Alliance (NAFATA) which meets at the Autry regularly about once a month. They have had several screenings of film shorts that are produced by members in the group.
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